The low fire clays range from the 0s to about cone 2; medium fire clay which is commonly called stoneware will be cone 3-7; cone 8-10 is high fire white porcelain. My guess is this, if you are going to ask a potter to fire the clay for you: the higher the cone the higher the temperature needed to reach the cone level and the longer period of time the piece needs to be fired, thus more expense. Kiln space is always limited and another guess would be that if someone is willing to fire for you, the caves,etc need to be in smaller pieces that you later silicone together in the tank. If you are going to take this on, you need to do some research on clay preparation [for example if the clay is not thoroughly kneaded before you work it, then when you fire it the air bubbles trapped inside will sometimes blow up the piece and any other nearby pieces that it may hit in the kiln; if the thickness of your pieces is not consistent or if they are too thick, your pieces may crack, etc]. The fired clay will look quite different depending on whether it is reduction or oxidation fired. Skip the raku--wrong application. You need to find out what kind of kiln it will be fired in. I don't know if clays with metals like manganese will leech into the water. Grog is just clay particles and bits that were previously fired and then ground up and added to the fresh clay as a stabilizer. Low fire is adequate if you like the look. You'll have to call around to find someone willing to fire your pieces---the little shops where old ladies paint molded greenware pieces and then they fire them for you might be willing to work with you. Those are low fire operations with oxidation kilns.
Best of luck
Harriett